Showing posts with label ghost. Show all posts
Showing posts with label ghost. Show all posts

Monday, August 27, 2012

One For the Road


            Mind if I buy you a drink?  It’s just that, well, I was sitting alone, and I saw you here in the corner, also sitting alone.  And I figured, you and me, we could sit alone together.  So whatever you want to drink, you let me know.  It’s on me.  Spare no expense.
            I’m not sure if you’re from around here or not, but have you heard about all the strange things that’ve been happening?  I’m sure you have, everyone has by now.  Weird stuff, let me tell you. 
            For instance, two weeks ago, the cows from McCreely’s farm started giving black milk.  Black as nightfall.  Every single cow.  They had a vet come out and look at them, and the vet couldn’t figure out what was wrong.  Then one by one, over the course of three days, the cows started dropping dead.  Every cow on that farm, gone.  McCreely is ruined. 
            Last week, the clock on the tower in town hall, it started running backwards.  They tried just shutting the damn thing off, and that didn’t work.  It just wouldn’t stop running backwards.  Did that for two days straight.  Then it stopped dead, and they haven’t been able to get it working since.  I mean, that clock is over seventy years old, so I guess age could have something to do with it, but I don’t know.  Seems strange.
            Are you sure you don’t want that drink?
            Anyway, Nativity Of The Blessed Virgin, that’s the church over on Riverline Ave., well, they have this old bell tower, see.  And one night, around one a.m., the sound of loud clanging bells starts screaming out of that tower, and doesn’t stop
until sun up.  The fact that the bells wouldn’t stop ringing isn’t the strange part.  You see, there aren’t any bells in that damn tower! There haven’t been for fifteen years!  But everyone heard them.  Hell, I heard them.  They kept me up all night, and I had just gotten off of a double-shift.  It was awful.
            Where did you say you were from again?
            Did I mention the woods by Bindlebottom Lake?  Bindlebottom Lake is this huge lake we have, at the edge of town, and it’s surrounded by thick woodlands.  Woods that go on for miles and miles, up into the mountains.  Well, there was this group of trees near the lake, and all of them were stripped of their bark.  And not just a little bit.  I mean, entirely.  About fifty trees stripped clean.  And there were these weird...symbols carved in them.  I don’t know what they were, I’ve never seen anything like them.  Some professor or something, in the newspaper, said
that they were Pagan symbols.  Ancient. 
            And it’s cold.  I mean, it’s fall, so it’s supposed to be cold.  But I don’t remember a fall ever this cold.  It’s a biting, stabbing cold.  It seeps in through your clothes, cuts through your skin and wraps itself around your bones.  I wake up covered in ache.  No matter how many layers I put on, I still get the chills.  Thought I was getting sick or something, so I went to see the Doc.
            He couldn’t find anything wrong with me, but he said almost the entire damn town had come in to see him complaining of that same coldness. 
            Folks are saying this town is haunted. I don’t know if that’s possible, for an entire town to be haunted.  I’ve never heard of that. Maybe a house, or a whole block of houses.  But an entire town?  And if it is, is it all one ghost, or is it a ghost in every home? Can one ghost haunt an entire town? Of course, that all depends on if you believe in ghosts, I suppose.
            Last chance for that drink...
            Okay...
            Everyone’s scared now. That’s understandable. Strange things like this are bound to make anyone frightened. The thing about fear is, it leads to desperation.  And desperation, well, I’ll be honest, it leads to sex. Nothing makes people feel safer than sex. Takes everyone’s mind off of things. So I’m just putting it out there, that I want you to go home with me tonight.
            I don’t care that your arms are broken branches, or that your hair is constantly dripping wet. I don’t care that I can see through your skin to your bones underneath. And I don’t care that you don’t have any eyes, just two empty sockets glowing red.  Tonight, to me, you’re lovely. 
            And I need some company. 
            I’m too afraid to walk home alone.



Sunday, July 29, 2012

Review: I AM A GHOST


I Am a Ghost is one of those rare ghost stories that's told from the perspective of the one haunting the house, rather than those being haunted.

Anna Ishida is Emily, a woman from a seemingly Victorian time stuck in a loop. She keeps reliving the same random events every day, and she also finds herself communicating with a medium she can not see, named Sylvia. 

Emily died in the house she haunts, and Sylvia is trying to get her to move on--but it's not quite working, and neither woman can figure out why.

To say any more would spoil the film, so that's all you need to know. The less you know, the more effective this film is.

I Am a Ghost is a slow-burn, reminiscent of Ti West's House of the Devil, which also features a female character trapped in a spooky old house, slowly building towards a frightening climax.

This is essentially a one-woman show, and Anna Ishida does a fine job of carrying the film. She's not as polished as a "Hollywood actress", but this helps with the out-of-time nature of the character. 

Again, this is a slow-burn of a movie; some people may lose patience after seeing Emily cook the same two eggs for the fifth time, but the build up is worth it. When the horror finally kicks in, it's all the more effective.

It always helps to have a good setting for your film, especially if your film is of a lower-budget, and the old house in I Am a Ghost is perfect. It's clearly a real house--not a set--adding realism and a nicely preserved historical look. Director H.P. Mendoza employees a few nifty tricks to keep the mostly quiet movie engaging; for one thing, the film itself is presented in a frame reminiscent of an old photograph, with rounded edges. Split-screens and washed-out colors help with atmosphere and actually contribute to the film, rather than just feeling like they were added to "look cool."

If there's one complaint I have with the film, it's the (vocal) performance of Jeannie Barroga, as the psychic Sylvia. Never seen and only heard, Barroga's line-delivery feels very flat, almost as if she's just reading her lines off a piece of paper into a microphone, and not putting much feeling into them. But that's not enough of a problem to derail the movie. 

At 74 minutes, I Am a Ghost never over-stays its welcome. It knows just when to end, and doesn't drag things out any further than necessary. 

It may not be the slickest of ghost movies, but it's certainly one of the more effective, with a final act that will leave you chilled and disturbed. 

Tuesday, October 25, 2011

Horror Movie Countdown to Halloween: Lake Mungo



In honor of Halloween Week, I am listing some of my favorite creep-o movies. I tried not to pick the obvious choices to add a little diversity from all the other Halloween movie lists...




Lake Mungo




When was the last time a horror movie made you feel something; not just yell out in shock, or cringe in grossness, or roll your eyes at how fucking stupid the movie was--I'm talking about actually feeling something real.

Lake Mungo is that type of horror movie.

I suppose the term "horror movie" could be used loosely to describe Lake Mungo; this isn't a movie that is trying to terrify you or make you jump in your seat. This is a movie that is a surprisingly touching, heartfelt exploration on the horror of grief and loss. But there's more to it than that.

Let's get this out of the way first: Yes, this is a "found footage" or "mockumentary" type horror movie. Like them or not, they are here to stay. Just this past weekend Paranormal Activity 3 made 1 Bajillion Trillion Dollars (sources needed), so found footage movies aren't going away any time soon.



But please, if you are one of those people who says "UGH, i hate those type of movies! Blair Witch and shit!", I implore you to give this movie a chance.

Lake Mungo takes place in Australia, and is about the death of Alice Palmer and the mysteries that surround her life, death...and after-life.

Alice is a happy seeming 16 year old who goes on a swimming trip with her family one day, and drowns. We're never told exactly how she drowned, because her family doesn't know. She was there one moment, and then the next, she was gone.



As is to be expected, the Palmer family is devastated. Mother June actually begins taking long walks late at night and breaking into people's houses. Father Russell internalizes everything and doesn't show emotion, and Alice's teenage brother Mathew begins experimenting with video-making. And it's through Mathew's new-found obsessive hobby that the family begins to suspect that while Alice may be dead, she might not be gone.

To tell you more would spoil things. What you might think is  going to be a simple ghost story turns into an expose on the nature of keeping secrets. As one of Alice's friends says during an interview, "Alice kept secrets. She kept the fact that she kept secrets a secret."  



I was raised on horror movies. At a young age I was watching movies that, quite frankly, I probably shouldn't have been watching. I suppose my 20+ years of horror film watching has numbed me a bit to being scared.

This movie scared me.

Lake Mungo seeps under your skin. It's like a cold draft in your house that slowly begins to increase to the point where it chills the very marrow of your bones. An overwhelming feeling of dread accompanies the film, and also sadness.

The more time we spend with the Palmer family, the more we like them. The performances in this movie are fantastic, because no one here seems like an actor. They all seem like real people--and they also seem like a real family.



As the film slowly unravels the details of Alice's life, I actually found myself feeling sad that she died so young. Then I had to remind myself that there is no Alice, it was just an actress playing a part. But the movie sucks you in, and you begin to forget that this is all fiction.

I can not stress this enough: If you like horror movies, and are longing for a break from terrible, generic bullshit, WATCH THIS MOVIE. It's on Netflix Instant RIGHT NOW, so if you have Netflix GO WATCH IT. 

And keep watching during the end credits--the images revealed during them will make the hairs on the back of your neck stand up in fear.






Wednesday, September 28, 2011

A Dark Day is Going to Come

On the night of his death, the farmer’s children painted the barn black by the light of the harvest moon.

By dawn the paint cans were empty, the bristles of the wide brushes ruined, caked together.

They’d torn up all the crops and set all the livestock free. The wooden fence-posts that surrounded the property were set ablaze. The fire would not stop. Even when a storm blew in from nowhere, it still burned.

Strange monuments made from spare tractor parts were erected all around the house. People came from miles to fall on their knees in front of them and babble.

Summer’s end, a flood washed half the town away. But the black barn still stood.

And it seemed to be growing.

Wednesday, April 6, 2011

I felt a chill...

This might be the scariest ghost video I've ever come across....



Saturday, April 2, 2011

Heads Will Roll

"No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone."
--Shirley Jackson